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An interesting simile, meanwhile, can serve as a bridge between two seemingly different phenomena. Finally, assonance and alliteration insert a sense of lyricism into your poetry that will make it an absolute pleasure to read. Unfortunately, these devices do not always come that easily.

It could be because you're feeling lazy or tired. It could be the far more serious condition known as writer's block. By using exercises such as these, however, you can warm up your brain like a runner stretching before a sprint or, if you're into epic poetry, a marathon. Exercises will push you to think in a far less goal-oriented or literal way, and you could end up creating something that is far more Dionysian in spirit than you may have anticipated.

If all goes well, you may even get a poem by using one. What is important when seeking out inspiration is not what causes the inspiration, but the results that end up on the page. What may seem a little silly, such as writing out a series of adjectives all pertaining to apples or documenting everything in the room in which you are sitting, may end up going interesting places, and creating even more interesting poems.

Toggle Navigation. Your Poetry Blog Poetry thrives online. Tip One: Examine the Little Things Simply sitting down and taking notes on your surroundings can be a fecund experience. The bigness of it. I also admire her long, intense writerly life. I am currently rereading all of Louise Gluck and Anne Carson. Poetry helps me live my life. These questions can help you find the consultant that is best-suited to help you.


Waxing Poetic

No one wants to hear your whole life story. This three-day Boston conference strives to create a welcoming and diverse space for all writers to learn and grow.

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  8. Stay in touch with The Writer. Keep up with current events in the writing world. Skip to content. Stay in touch with The Writer Keep up with current events in the writing world. Sign Up for Our Free Newsletter. Further, inspiration could come directly from the unconscious. Like the Romantic genius theory and the revived notion of "poetic phrenzy," Freud saw artists as fundamentally special, and fundamentally wounded. Because Freud situated inspiration in the unconscious mind, Surrealist artists sought out this form of inspiration by turning to dream diaries and automatic writing, the use of Ouija boards and found poetry to try to tap into what they saw as the true source of art.


    Carl Gustav Jung 's theory of inspiration reiterated the other side of the Romantic notion of inspiration indirectly by suggesting that an artist is one who was attuned to something impersonal, something outside of the individual experience: racial memory. Materialist theories of inspiration again diverge between purely internal and purely external sources. Karl Marx did not treat the subject directly, but the Marxist theory of art sees it as the expression of the friction between economic base and economic superstructural positions, or as an unaware dialog of competing ideologies, or as an exploitation of a "fissure" in the ruling class's ideology.

    Therefore, where there have been fully Marxist schools of art, such as Soviet Realism , the "inspired" painter or poet was also the most class-conscious painter or poet, and " formalism " was explicitly rejected as decadent e. Sergei Eisenstein 's late films condemned as "formalist error". Outside of state-sponsored Marxist schools, Marxism has retained its emphasis on the class consciousness of the inspired painter or poet, but it has made room for what Frederic Jameson called a "political unconscious" that might be present in the artwork.

    However, in each of these cases, inspiration comes from the artist being particularly attuned to receive the signals from an external crisis. In modern psychology, inspiration is not frequently studied, but it is generally seen as an entirely internal process.

    Tip One: Examine the Little Things

    In each view, however, whether empiricist or mystical, inspiration is, by its nature, beyond control. An example of a modern study on inspiration is one that was conducted by Takeshi Okada and Kentaro Ishibashi, published in in the multidisciplinary journal, Cognitive Science. The results of the first and second experiment revealed that copying artwork enabled the students to produce creative drawings that were qualitatively different, but only when the example—the inspiration—featured a style that was unfamiliar to the students.

    The third experiment revealed that only musing upon the unfamiliar inspiration produced the same effect as copying it. Okada and Ishibashi suggest that these unfamiliar examples were able to facilitate the creativity of the students because they challenged the students' perspectives on drawing. They admit, however, that it is unclear whether their results can be generalized to professional artists as well, but they cite examples of artists, namely Pablo Picasso and Vincent van Gogh , who extensively imitated the work of other artists, which might suggest that "imitation is an effective driver of creativity, even for experts.

    Charles Bukowski - Alone with Everybody // Spoken Poetry Inspirational

    From Wikipedia, the free encyclopedia. Cambridge University Press: , pp. Glyn P. Norton, ed. Cambridge U: , pp. Cognitive Science.

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