Some Dreams Best Forgotten
I've never seen the stereo effect deployed with such purpose and beauty. The double-lens camera evokes depth at multiple scales, plunging us first into a claustrophobic, underground space and then across the rippled limestone walls of its interior. Herzog treats the 3-D camera as a metaphor, too—a machine that fuses art and science, the twin tracks of human innovation, into a single, voluminous whole. That's not to say the stereography is perfect; in a few scenes, it comes off as a stomach-churning, washed-out mess.
But in most of the film, the 3-D is beyond immersive: It reveals facets of the paintings that would otherwise be invisible and conveys a deeper truth about how we make images and perceive them. Indeed, the movie demonstrates how the prehistoric artists used rocky undulations to create their own sort of depth effect.
A horse's foreleg painted on a swell seems to possess a bulging quadriceps; a bison's head drawn on the rounded surface of a stalactite envelops a picture of a woman's genitals. Try closing one eye as you watch: All the subtle bends and curves fall flat into the frame. Even Roger Ebert, the nation's most intractable 3-D curmudgeon , acknowledged that way down in the Chauvet cave, at least, the Hollywood gimmick is appropriate and useful.
This latter concession comes from a man whose rants against 3-D have appealed more than once to our ancient ancestors on the savannah—folks, he says, who never evolved the ability to don polarized specs.
When they spied an advancing bear or boulder, their instinct would have been to leap aside or run away. Not to sit in place like a bunch of 21 st -century couch potatoes. We just aren't made to watch 3-D movies. OK, so there might not have been so much adaptive value, back then, in reading binocular depth cues off a level surface.
But what business did these cavemen have drawing a bison in full gallop or the topology of a horse's flesh? Wasn't there some better use for their blossoming gray matter? The heroes of Cave of Forgotten Dreams are those prehistoric draftsmen whose desire to make pictures was just as silly and maladaptive and profound as our own. They fussed over lines and texture and the curving canvas of the walls around them; we fiddle with battery-powered flashlights and stereographic cameras. Near the end of Herzog's spelunking expedition, he lingers on an image of an ancient stalagmite and stalactite that stretch toward each other but don't quite meet; between them is a teardrop of empty space.
It's the most striking image in the film—a symbol of the artists at Chauvet, then and now, reaching out across the millenniums. It helps that Herzog chose the ideal environment for shooting in stereo. After watching the My Bloody Valentine remake in , it occurred to me the medium was most at home in caves and mineshafts. When you're underground, the well-documented annoyances of 3-D—dim lighting, washed-out colors, a claustrophobic shrinking of scale—imbue the scene with atmosphere.
A dim and splotchy image looks terrible when viewed flat, just a jumble of shadows. But put on the glasses and those shadows coalesce and inflate; the darkness rises off the screen like a mist. That's a lovely backdrop for a killer dragging his pickaxe through the mines , but it's just as useful at Chauvet, where we're always peering over Herzog's shoulder through a sea of black.
When the film crew retreats to the surface, the 3-D begins to flounder. The wooded hills around the cave look drab and dusky, as if a storm were always about to break.
Melancholy of the past
And the puppet-theater effect —that troublesome way in which 3-D landscapes come to resemble living dioramas—sabotages Herzog's efforts at majestic aerial shots. One outdoor sequence deserves special reproach: a jerky hike up the mountainside, filmed by hand with an upside-down camera. I'm not sure what the director was trying to conjure with this 3-D circus shot, other than my breakfast. And always.
Why You Remember — or Forget — Your Dreams | Everyday Health
Few forces in life present, with an equal sense of inevitability, the bare-knuckle facts of who we are, and the demands of what we might become. Man… is above all the plaything of his memory. Come, blessed barrier between day and day, Dear mother of fresh thoughts and joyous health! We sleeping wake, and waking sleep. Like a sailor, lucid dreamers manipulate or direct themselves in the larger expanse of dreaming; however, they do not control it. Lucid dreaming appears to be a co-created experience. A dream you dream together is reality. I can sleep.
I can move. I can ride my bike.
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I can dream. Dreaming, after all is a form of planning. Dreams mean different things to different people. They can also be interpreted in a myriad of ways; whether or not you enjoy dreaming. Which of these dream quotes is your favorite? Do you have any other interesting quotes about dreams to share with us? Tell us in the comment section below. We would love to hear all about it. Your email address will not be published. Connect with us.
Some Dreams Best Forgotten
Looking for thought-provoking dream quotes about your waking life? The study of dreams has long been a fascination with many. People often wake up puzzled by what they have dreamt.